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eBook Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk epub

by Barbara Klinger

eBook Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk epub
  • ISBN: 0253208750
  • Author: Barbara Klinger
  • Genre: Entertainment
  • Subcategory: Movies
  • Language: English
  • Publisher: Indiana University Press (August 22, 1994)
  • Pages: 224 pages
  • ePUB size: 1959 kb
  • FB2 size 1511 kb
  • Formats rtf lrf txt lit


Meaning and melodrama is an investigation of the diverse ways, people have viewed the films of Douglas Sirk.

Meaning and melodrama is an investigation of the diverse ways, people have viewed the films of Douglas Sirk. It is an ambitious work that covers a huge amount of terrain. She makes some interesting observations about the way perceptions change over time. The book is interesting, but poorly organised and the whole work does not hang together and appears to be a series of separate essays written with little relationship to each other. Aspects are fascinating, but the whole is unsatisfactory.

Melodrama and Meaning book. Goodreads helps you keep track of books you want to read. Start by marking Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk as Want to Read: Want to Read saving. Start by marking Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk as Want to Read: Want to Read savin. ant to Read.

Melodrama and Meaning is a major addition to the new historical approach to film studies.

Douglas Sirk (born Hans Detlef Sierck; 26 April 1897 – 14 January 1987) was a German film director best known for his work in Hollywood melodramas of the 1950s. Sirk started his career in Germany as a stage and screen director, but he left to Hollywood in 1937 because his Jewish wife was persecuted by the Nazis

Melodrama and Meaning is a major addition to the new historical approach to film studies

Melodrama and Meaning is a major addition to the new historical approach to film studies. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking.

item 5 Klinger-Melodrama Meaning (US IMPORT) BOOK NEW -Klinger-Melodrama Meaning (US IMPORT) . Re-evaluates the master of the melodrama in the context of .

item 5 Klinger-Melodrama Meaning (US IMPORT) BOOK NEW -Klinger-Melodrama Meaning (US IMPORT) BOOK NEW. £3. 9.

Melodrama and Meaning is a major addition to the new historical approach to film studies

Melodrama and Meaning is a major addition to the new historical approach to film studies.

Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking. Other chapters are devoted to Universal's selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalized" camp response to Sirk that has resulted from developments in mass culture.

Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk (Bloomington: Indiana University Press, 1994). Or other directors not working in Hollywood, some influenced by Sirk, who have prompted such analyses: Rainer Werner Fassbinder, Pedro Almodóvar, Atom Egoyan, and Lars von Trier, to name a few. The films of David Lynch could be said to continue this tradition within the American industry. Todd Haynes famously adapted three of Sirk’s films for his 2002 homage to the director, Far from Heaven.

Klinger, Barbara, Melodrama and Meaning: History, Culture, andthe Films of Douglas Sirk, Bloomington .

Klinger, Barbara, Melodrama and Meaning: History, Culture, andthe Films of Douglas Sirk, Bloomington, Indiana, 1994. The most important innovators in Sirk criticism in this period were Jon Halliday, whose lengthy interview in book form, Sirk on Sirk, has become a standard work, and Andrew Sarris, whose program notes on the director's films were compiled into the booklet Douglas Sirk-The Complete American Period. From the time of these two works, it became more and more appropriate to speak of Sirk in terms of "genius" and "greatness.

Melodrama and Meaning is a major addition to the new historical approach to film studies. Barbara Klinger shows how institutions most associated with Hollywood cinema―academia, the film industry, review journalism, star publicity, and the mass media―create meaning and ideological identity for films. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking. Other chapters are devoted to Universal’s selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalized" camp response to Sirk that has resulted from developments in mass culture.

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