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eBook Shakespeare and Laughter: A Cultural History epub

by Indira Ghose

eBook Shakespeare and Laughter: A Cultural History epub
  • ISBN: 0719076927
  • Author: Indira Ghose
  • Genre: Fiction
  • Subcategory: History & Criticism
  • Language: English
  • Publisher: Manchester University Press (October 15, 2008)
  • Pages: 240 pages
  • ePUB size: 1110 kb
  • FB2 size 1805 kb
  • Formats doc lit lrf lrf


PDF Ghose follows modern critical routine in claiming that a particular human phenomenon has undergone a. .Shakespeare and Laughter: A Cultural History.

PDF Ghose follows modern critical routine in claiming that a particular human phenomenon has undergone a radical cultural shift since Shakespeare's day. By cherry-picking contextual evidence she ignores cultural an biological continuities in laughter and the diversity of laughter.

This book examines laughter in the Shakespearean theatre in the context of a cultural history of early modern laughter

Read Shakespeare and laughter, by Indira Ghose online on Bookmate – This book examines laughter in the Shakespearean theatre in the context of a cultural history of early modern laughter. It is the first study to focus on laughter, not comedy, arguing that since the early modern period a paradigm shift has taken place in our attitudes to laughter and investigates the role Shakespeare played in this connection. To read this book, upload an EPUB or FB2 file to Bookmate.

Ghose's book shows that Shakespeare treated laughter in sophisticated, nuanced ways, and was quite capable of responding critically to the latest thinking about the subject. Her book will be required reading for students, even if they have to struggle against the tiny font to unlock its riches. What might Eric have thought of it so far? Actually, he'd probably have liked it. Manchester University Press.

Shakespeare and Laughter book. Goodreads helps you keep track of books you want to read. Start by marking Shakespeare and Laughter: A Cultural History as Want to Read: Want to Read savin. ant to Read. This book examines laughter in the Shakespearean theater, in the.

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This book examines laughter in the Shakespearean theatre in the context of a cultural history of early modern laughter. This book examines laughter in the Shakespearean theatre in the context of a cultural history of early modern laughter.

Indira Ghose, Martin Hargreaves. This book examines laughter in the Shakespearean theatre, in the context of a cultural history of early modern laughter. Aimed at an informed readership as well as graduate students and scholars in the field of Shakespeare studies, it is the first study to focus specifically on laughter, not comedy. It looks at various strands of the early modern discourse on laughter, ranging from medical treatises and courtesy manuals to Puritan tracts and jestbook literature. It argues that few cultural phenomena have undergone as radical a change in meaning as laughter

Shakespeare and Laughter : A Cultural History.

Shakespeare and Laughter : A Cultural History. Aimed at an informed readership as well as graduate students and scholars in the field of Shakespeare studies, it is the first study to focus specifically on laughter, notcomedy.

Shakespeare and Laughter: A Cultural History. Manchester and New York: Manchester University Press, 2008. Pp. viii + 230. £55 Hb. - Radical Comedy in Early Modern England: Contexts, Cultures, Performances. Aldershot: Ashgate, 2008. ix + 122 + 2 illus. 95 Hb. Nathaniel B. Small (a1). Northwestern University, n-smallhwestern.

This book examines laughter in the Shakespearean theatre, in the context of a cultural history of early modern laughter. Aimed at an informed readership as well as graduate students and scholars in the field of Shakespeare studies, it is the first study to focus specifically on laughter, not comedy. It looks at various strands of the early modern discourse on laughter, ranging from medical treatises and courtesy manuals to Puritan tracts and jestbook literature. It argues that few cultural phenomena have undergone as radical a change in meaning as laughter.

This paradigm shift can be traced back to the early modern period, which saw some remarkable changes in the culture of laughter. Hitherto laughter had been mainly regarded as a social corrective that mocked those who transgressed societal norms. The evolving cult of courtly manners that spread throughout Renaissance Europe stigmatized derisive laughter as a sign of vulgarity. Laughter became bound up with questions of taste and class identity. At the same time, humanist thinkers revalorized the status of recreation and pleasure. These developments left their trace on the early modern theatre, where laughter was retailed as a commodity in an emerging entertainment industry. Shakespeare´s plays both reflect and shape these changes, particularly in his adaptation of the Erasmian wise fool as a stage figure and in the skeptical strain of thought that is encapsulated in the laughter evoked in the plays.

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