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eBook Opera in the Novel from Balzac to Proust (Cambridge Studies in Opera) epub

by Cormac Newark

eBook Opera in the Novel from Balzac to Proust (Cambridge Studies in Opera) epub
  • ISBN: 0521118905
  • Author: Cormac Newark
  • Genre: Fiction
  • Subcategory: History & Criticism
  • Language: English
  • Publisher: Cambridge University Press; 1 edition (May 9, 2011)
  • Pages: 298 pages
  • ePUB size: 1210 kb
  • FB2 size 1800 kb
  • Formats azw rtf txt mbr


In the first book-length study of that tradition to appear in English, Cormac Newark examines representations . Newark, Cormac and Wassenaar, Ingrid. Proust and music: The anxiety of competence’, Cambridge Opera Journal, 9/2 (1997), 163–83. Nietzsche, Friedrich.

In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. Der Fall Wagner (Leipzig: C. G. Naumann, 1888).

Investigating how opera can be made to tell other stories, Cormac Newark's bountiful interdisciplinary assessment of the .

Investigating how opera can be made to tell other stories, Cormac Newark's bountiful interdisciplinary assessment of the soirée à l'opéra genre is a welcome contribution to word-and-music studies as well as to the cultural history of opera. Taking us through case studies on authors who write about the experience of opera in their fictional projects, with particular focus on Balzac, Dumas, Flaubert, Verne, Leroux, and Proust, Newark also brings these texts into play as evidence of opera reception.

Start by marking Opera in the Novel from Balzac to Proust (Cambridge Studies in Opera) as Want to Read: Want to Read savin. ant to Read. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera.

series Cambridge Studies in Opera. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra.

In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la. .Series: Cambridge Studies in Opera. File: PDF, . 1 MB. Читать онлайн. It may takes up to 1-5 minutes before you received it.

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In the first book-length study of that tradition to appear in English, Cormac Newark .

In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts Added to basket. And in the End. Ken McNab.

In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo an. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts

Cambridge Studies in Opera. Hardback Books in English Cormac McCarthy.

Cambridge Studies in Opera. 298. Author Biography. Cormac Newark has published widely on nineteenth-century French and Italian opera: his work has appeared in 19th-Century Music, the Cambridge Opera Journal and the Journal of the Royal Musical Association, and in various collections of essays. He has also written for Opera magazine and the Guardian. He currently teaches at the University of Ulster. Country of Publication. Hardback Cormac McCarthy Books. This item doesn't belong on this page.

Juvan Marko: Literary Studies in Reconstruction: An Introduction to Literature, Frankfurt fam Main: Peter Lang GmbH, 2011

An Exploration of Genre, Amsterdam: Rodopi 2012. Cormac Newark: Opera in the Novel from Balzac to Proust, Cambridge: Cambridge University Press 2011. Carmen Trammell Skaggs: Overtones of Opera in American Literature from Whitman to Wharton, Louisiana: Louisiana State University Press 2010. PD Dr. Kirsten von Hagen. Juvan Marko: Literary Studies in Reconstruction: An Introduction to Literature, Frankfurt fam Main: Peter Lang GmbH, 2011. Juvan Marko: History and Poetics of Intertextuality, West Lafayette: Purdue University Press, 2008. Hans Ulrich Gumbrecht: Stimmungen lesen.

The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.
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