Transfer (Monument Valley). 10104 Angelo View Drive. Grandeur et Décadence d'un Petit Commerce de Cinema.
Transfer (Monument Valley). The World May Not Be Deep But it is Definitely Shallow and Wide.
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Dorit Margreiter’s artistic interest is in the connections between visual systems and spatial structures and the . Ausstellungsansicht, Exhibition view Dorit Margreiter. Really!, mumok – Museum moderner Kunst Stiftung Ludwig Wien, 2.
Dorit Margreiter’s artistic interest is in the connections between visual systems and spatial structures and the consequences for our everyday lives and societies. The focus is on modern and contemporary architecture and forms of media representation. 11 ausstellungsansicht margreiter e4 2019.
THE FILM 10104 ANGELO VIEW DRIVE, made in 2004 by Vienna- and Los Angeles–based artist Dorit Margreiter, is a portrait of the Sheats/Goldstein residence in Beverly Hills. Designed by celebrity architect John Lautner in 1963, the building is one of California’s most futuristic homes, literally anchored to its furniture in a way that radically overturns architectural hierarchies: Sofas, beds, dining room tables, and the like are set into concrete, while the walls, generally made of glass, are movable and can be remotely controlled.
Articles traitant de Dorit Margreiter écrits par alaintruong2014. 10104 Angelo View Drive, Hopper Origami, In the Bauhaus, Untitled Project: Eames Armchair Rocker (+ Walden), Conrad Bakker, Dorit Margreiter, William Wegman. Untitled Project: Eames Armchair Rocker (+ Walden) by Conrad Bakker, 2012. Oil on carved maple wood.
Dorit Margreiter, zentrum, 2006, still from a black-and-white film in 16 mm, 2 minutes 56 seconds. The Film 10104 Angelo View Drive, made in 2004 by Vienna- and Los Angeles– based artist Dorit Margreiter, is a portrait of the Sheats/Goldstein residence in Beverly Hills.
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In 1992, Dorit MARGREITER (1967, Austria) graduated from the University of Applied Arts in Vienna. As a director of short films she focuses on themes such as architecture, film and representations of gender in all sorts of ways.
The starting point for Dorit Margreiter's exhibition 'Everyday Life' was a stage covered in black fabric. Half of the backdrop was covered with coloured wooden panels, while the other half was open to reveal a set of video screens. It looked like the building frame of a bungalow under construction, and it brought together a number of themes that resonated through the gallery
Vista de sala de la exposición.
Vista de sala de la exposición. Vista de sala de la exposición.