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The popular nineteenth-century science of phrenology has attracted a great deal of recent scholarly interest. The popular nineteenth-century science of phrenology has attracted a great deal of recent scholarly interest. What was once seen as a rather curious and eccentric practice, is now becoming recognised as one of the most significant social and intellectual manifestations of the nineteenth century.
Phrenology is the fifth studio album by American hip hop band The Roots, released November 26, 2002, on MCA Records. Recording sessions for the album took place during June 2000 to September 2002. It was primarily produced by members of the band and features contributions from hip hop and neo soul artists such as Cody ChesnuTT, Musiq Soulchild, Talib Kweli, and Jill Scott.
Similar books and articles. Phrenology Examined and Shown to Be Inconsistent with the Principles of Phisiology, Mental and Moral Science, and the Doctrines of Christianity. A Measure Of Perfection: Phrenology And The Fine Arts In America By Charles Colbert. Roger Cooter - 1999 - Isis: A Journal of the History of Science 90:609-611. Also an Examination of the Claims of Mesmerism. N. L. Rice - 1849 - Robert Carter & Brothers, 285 Broadway John D. Thorpe, 12 West Fourth Street.
Phrenology is a pseudoscience which involves the measurement of bumps on the skull to predict mental traits. It is based on the concept that the brain is the organ of the mind, and that certain brain areas have localized, specific functions or modules. Although both of those ideas have a basis in reality, phrenology extrapolated beyond empirical knowledge in a way that departed from science
With chapters that include statistics, maps, and charts to help us visualize the change taking place in the age of globalization, this is a fascinating read for both the student studying immigration patterns and the general reader who wishes to be more well-informed from a quantitative perspective.
This book should not be judged by its title, though its publishers might.
This book should not be judged by its title, though its publishers might