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eBook Music in the Castle: Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries epub

by Anna Herklotz,F. Alberto Gallo

eBook Music in the Castle: Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries epub
  • ISBN: 0226279693
  • Author: Anna Herklotz,F. Alberto Gallo
  • Genre: Photography
  • Subcategory: Music
  • Language: English
  • Publisher: University of Chicago Press; 1 edition (April 15, 1996)
  • Pages: 154 pages
  • ePUB size: 1868 kb
  • FB2 size 1839 kb
  • Formats doc mbr docx rtf


PDF On Jan 1, 1998, William D. Paden and others published Music in the Castle: Troubadours, Books .

The role of the rubric as an organisational tool and its relation to contemporary liturgical and devotional practices is explored, revealing a strikingly cohesive series and connections to liturgical books and books of hours.

Music in the Castle book. Here, Gallo examines how this collection expressed the tastes of the fourteenth-century court of Giangaleazzo Visconti, how French arts were imported and imitated at Pavia, and the effects this had on music heard at the court. In the final essay, Gallo looks at the fifteenth-century tradition of improvised music, and especially the virtuoso lute player Pietrobono.

Lütteken, Laurenz (1999) Besprechungen: "Music in the Castle. View it in the Music Periodicals Database. Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries," von F. Alberto Gallo. In: Die Musikforschung, Vol. 52, No. 1, pp. 117-118.

Commission Agent, . Ruža Ćuk, Srbija I Venecija U XIII I XIV Veku. In Serbo-Croatian, with English and Italian Summaries. Historical Institute Monographs, 2. Belgrade: Prosveta, 1986. Bristol: Bristol Record Society, 1982.

troubadours, books, and orators in Italian courts of the thirteenth, fourteenth, and fifteenth centuries. Published 1995 by University of Chicago Press in Chicago. History and criticism, Music. Includes bibliographical references and index. Translation of: Musica nel castello. 147 p. : Number of pages.

Music in the Castle : Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries.

Written by one of Italy's most eminent scholars of music, this book explores music's place in the cultural, artistic, and literary life of medieval Italian courts,. Music in the Castle : Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries.

Translated from the Italian by Anna Herklotz. Written by one of Italy’s most eminent scholars of music, this book explores music’s place in the cultural, artistic, and literary life of medieval Italian courts, paying particular attention to the influence of French culture on Italian artistic and musical traditions

Gallo, F. Alberto, Music in the Castle: Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries, Chicago . Gallo, F. Alberto, Music of the Middle Ages II, Cambridge, 1985.

Gallo, F. Alberto, Music in the Castle: Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries, Chicago and London, 1995. Guarino da Verona, Epistolario, ed. Remigio Sabbadini, 3 vols. Homer, The Iliad, trans. Richard Lattimore, Chicago, 1951. Lockwood, Lewis, Music in Renaissance Ferrara, 1400–1505: The Creation of a Musical Center in the Fifteenth Century, Cambridge, MA, 1984.

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Written by one of Italy's most eminent scholars of music, this book explores music's place in the cultural, artistic, and literary life of medieval Italian courts, paying particular attention to the influence of French culture on Italian artistic and musical traditions. In the first of three elegant essays, Gallo examines the troubadours who traveled to northern Italian courts from Provence during the thirteenth century. He discusses their performance practices, the verbal and musical sophistication of their songs, and their role in the daily life of courtiers at Genoa, Ferrara, and Monferrato. The second essay concerns the now dispersed collection of the Visconti library at Pavia. Here, Gallo examines how this collection expressed the tastes of the fourteenth-century court of Giangaleazzo Visconti, how French arts were imported and imitated at Pavia, and the effects this had on music heard at the court. In the final essay, Gallo looks at the fifteenth-century tradition of improvised music, and especially the virtuoso lute player Pietrobono. Mythologized in literary circles of his day, Pietrobono becomes a point of departure for a discussion of the entire vision of music of Italian humanists, from Guarino Veronese to Aurelio Brandolini.
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