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eBook Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text epub

by Peter Kivy

eBook Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text epub
  • ISBN: 0801485894
  • Author: Peter Kivy
  • Genre: Photography
  • Subcategory: Music
  • Language: English
  • Publisher: Cornell University Press (March 30, 1999)
  • Pages: 336 pages
  • ePUB size: 1506 kb
  • FB2 size 1270 kb
  • Formats rtf mobi mobi doc


Kivy provides close philosophical analysis of texts that underpin the origins of Western European opera and. relates seventeenth and eighteenth-century operatic practice to the philosophical and psychological theories of the times.

Kivy provides close philosophical analysis of texts that underpin the origins of Western European opera and. In a long and generally excellent discussion Kivy takes as his target those writers. who attempt to deduce a composer's psycho-biography from other librettos he chooses to se. .Kivy's book has a certain acumen and charm. ―Times Literary Supplement.

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Goodreads helps you keep track of books you want to read. Start by marking Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text as Want to Read: Want to Read savin. ant to Read.

Similar books and articles. Richard Wagner - 1995. Aubrey Sam Garlington - 1965. Osmin's Rage Philosophical Reflections on Opera, Drama, and Text, with a New Final Chapter. Operatic Subjects the Evolution of Self in Modern Opera. A Night in at the Opera Media Representations of Opera.

Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text. Published by: Cornell University Press. 1 The sheer weight of philosophical theory that Mei and Galilei produced in their attempt to revive the effects of the ancient music must have been heavy indeed upon the composers of the late sixteenth and early seventeenth centuries. This for two reasons. First, the theory itself was of unusual age, authority, and substance.

In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text.

Osmin's Rage: Philosophical Reflections on Opera, Drama and Text (1988, 2nd e. Sound Sentiment: An Essay on Musical Emotions (1989). Music Alone: Philosophical Reflections on the Purely Musical Experience (1990). Essays on the History of Aesthetics (e. 1992)

Osmin's Rage: Philosophical Reflections on Opera, Drama and Text (1988, 2nd e. 1992). The Fine Art of Repetition: And Other Essays in the Philosophy of Music (collection, 1993). Authenticities: Philosophical Reflections on Musical Performance (1995). Philosophies of Arts: An Essay in Differences (1997). New Essays on Musical Understanding (collection, 2001).

Philosophical Reflections on Opera, Drama, and Text. Full text views reflects the number of PDF downloads, PDFs sent to Google Drive, Dropbox and Kindle and HTML full text views. Princeton: Princeton University Press, 1988. Total number of HTML views: 0. Total number of PDF views: 0 .

Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text by Peter Kivy, Cornell University Press, 1999

Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text by Peter Kivy, Cornell University Press, 1999. The Lives of Haydn and Mozart, with Observations on Metastasio, and on the Present State of Opera in France and Italy, by Stendhal (translated by . University of California Press. He proposes that happy endings were a musical?as opposed to a dramatic?necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners are attuned to its seventeenth and eighteenth-century forebears.

Philosophical Reflections on Opera, Drama, and Text (Ithaca, 1988), 133-77. TERM Spring '14. Professor davies,j. TAGS Italian loanwords, opera seria, Peter Kivy, da capo repeat.

First, PEASE READ: Peter Kivy, The Irrational Entertainment as Rational Solution, Osmin’s Rage: Philosophical Reflections on Opera, Drama, and Text (Ithaca, 1988), 133-77. pdf Then, depending on your group, choose TWO or THREE questions to respond to on our googledoc: Group 1: sections 1 to 5 (pp. 133-44) 1) What are some of the problems with opera seria.

In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical―as opposed to a dramatic―necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners are attuned to its seventeenth and eighteenth-century forebears.

Comments: (2)
Amarin
This is a very readable book on a fascinating subject. If you are an opera lover, it is highly recommended
Niwield
fine work
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