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eBook Russian and Soviet Theatre: Tradition and the Avant-Garde epub

by Konstantin Rudnitsky,Lesley Milne,Roxane Permar

eBook Russian and Soviet Theatre: Tradition and the Avant-Garde epub
  • ISBN: 0500281955
  • Author: Konstantin Rudnitsky,Lesley Milne,Roxane Permar
  • Genre: Photography
  • Subcategory: Performing Arts
  • Language: English
  • Publisher: Thames & Hudson; New Ed edition (May 1, 2000)
  • Pages: 320 pages
  • ePUB size: 1213 kb
  • FB2 size 1133 kb
  • Formats doc lrf txt mobi


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Tradition and the Avant-Garde. Konstantin Rudnitsky, Lesley Milne. Russian and Soviet Theatre documents the extraordinary developments of the years from about 1900 to 1932. It presents an astonishing wealth of previously unpublished material, including over 450 illustrations showing performances directed by Meyerhold, Eisenstein and Mikhail Chekhov, with designs by some of the greatest modernist artists of the age, including Malevich, Larionov and Rodchenko.

Bibliographic Details. Title: Russian & Soviet Theatre: Tradition & the. We have over 250,000 books in our open shop, in almost any catagory. Publisher: Thames and Hudson, London, United Kingdom. Publication Date: 1988. The late Konstantin Rudnitsky was an art historian and theater critic and an internationally recognized authority on Russian theater. In business since 1986!) We specialize in literature, history, art, and children's books, and carry used, rare and new books.

Russian and Soviet Theatre: Tradition and the Avant-garde (Paperback). Konstantin Rudnitsky (author), Roxane Permar (author)

Russian and Soviet Theatre: Tradition and the Avant-garde (Paperback). Konstantin Rudnitsky (author), Roxane Permar (author). Please provide me with your latest book news, views and details of Waterstones’ special offers.

Rudnitsky, Konstantin. Russian and Soviet Theatre: Tradition and the Avant-Garde. London: Thames and Hudson. Rpt. as Russian and Soviet Theater, 1905-1932. Schechter, Joel, ed. 2003. Popular Theatre: A Sourcebook. Worlds of Performance Ser. London and New York: Routledge.

Konstantin Rudnitsky, Lesley Milne. In the interval between the Russian revolutions of 1905 and 1917 the Russian theatre of the future was already an obsessive preoccupation for writers, directors and designers. Lenin proclaimed that theatre had to be & than a spectacle', and directors, designers, playwrights and artists rose to the challenge, creating an aesthetic revolution which is still inspiring today's dramatists.

Rudnit︠s︡kiĭ, Lesley Milne. Pre-revolutionary theatrical explorations theatre during the first years of revolution theatrical expansion extremes converge some outcomes. Publications citing this paper.

Find many great new & used options and get the best deals for Russian and Soviet Theatre: Tradition and the . Additional Product Features. Konstantin Rudnitsky, Roxane Permar. Place of Publication.

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In the interval between the Russian revolutions of 1905 and 1917 the Russian theater of the future was already an obsessive preoccupation for writers, directors, and designers. After 1917, Russian theater came face to face not only with the new social realities but also with a new audience of unprecedented size. Lenin proclaimed that theater had to be "greater than a spectacle," and directors, designers, playwrights, and artists rose to the challenge. Leading traditional directors like Stanislavsky became engaged in intense debates and explorations with avant-gardists such as Meyerhold. The Futurists, headed by Mayakovsky, and the Constructivists designed sets and costumes for theatrical performances, agit-prop plays, and celebrations. "Theater in the round" dramas were presented in factories, cafes, and public squares by professional actors as well as by casts of workers. Contemporary plays and innovatory productions of the classics were performed in vast numbers, and audiences participated actively in heated discussions about the social and political role of theater. This book documents the extraordinary developments of those fruitful years, from the first decade of the century to 1932. It presents an astonishing wealth of previously unpublished material, including 457 illustrations that bring the period to life: performances directed by Meyerhold, Eisenstein, Mikhail Chekov, and many more, with designs by some of the greatest modernist artists of the age, including Malevich, Larionov, Exter, Popova, and Rodchenko. Visually exhilarating and critically perceptive, the book is a unique and essential record of this formative period in modern theater.
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